Streaming Chartreuse & Quindachrome: AbstractScape
Streaming Chartreuse & Quindachrome: AbstractScape

oil on canvas

18” x 18”

2025

Submergence
Submergence

oil on canvas

24” x 24”

2025

Neon & Quindachrome AbstractScape
Neon & Quindachrome AbstractScape

oil & acrylic on canvas

16” x 20”

2025

Schmeres over Montserrat
Schmeres over Montserrat

oil a& acrylic on canvas

11” x 14”

2025

Transdimensional AbstractScape
Transdimensional AbstractScape

oil & acrylic on canvas

11” x 14”

2025

Ebbs & Flows
Ebbs & Flows

Quindachrome Magenta, Teals & Turquoise, Cadmium Yellow

oil on canvas

24” x 30”

February 2025

The Grind
The Grind

oil on canvas

30” x 40”

2025

This painting was a much needed art therapy session following the 2024 election. In times of turmoil, creativity and solace are essential. This work took several sessions of layering colors, blending, and wiping away paint with rags in a sort of dance movement; hence action painting. It portrays the fleshy safety net of our origin of life; the womb and Mother Earth. Through the blending of lighting, color concoction, and gestural brushstrokes, this composition conveys the daily Grind across the Universe.

Torrents Abstractscape
Torrents Abstractscape

oil on canvas

24” x 24”

2025

Ether Rouge Ascent: AbstractScape
Ether Rouge Ascent: AbstractScape

oil on canvas

18” x 18”

2025

King's Blue unveiling Umbers
King's Blue unveiling Umbers

acrylic on canvas

12” x 16’

2025

Dark Umber & Prussian converge
Dark Umber & Prussian converge

oil on canvas

20” x 24”

2024

Cad Yellow stroked Crimson Noir
Cad Yellow stroked Crimson Noir

oil on canvas

12” x 16”

2024

AbstractScape: Neon, Cobalt Turquoise Teal, & Prussian
AbstractScape: Neon, Cobalt Turquoise Teal, & Prussian

oil on canvas

8” x 10”

2024

Lilac, Mint, & Chartreuse AbstractScape
Lilac, Mint, & Chartreuse AbstractScape

oil on canvas

24” x 24”

April 2024

Returning back to the one place I ever called home after twenty + years, The Bay Area, I dove full body/mind/& soul into the harmonious balance between a majestic landscape and alluring city. It was a long journey getting back here with my two young children, and the gratitude I have for this place is endless. I know the challenges of "staying" in a place like the San Francisco Bay Area, and we are faced with the daily challenges and hard work ethic to do so. This painting is a mixture of those emotions; the serenity from the surrounding enticing vibrant energy of "Emerald City" and its exotic landscapes combined with the cyclical patterns of life's vicissitudes. This painting was birthed out of my need to adapt to the Spring palette. Coming out of winter hibernation to the ambrosia of Spring available to all our senses is exhilarating. The color alchemy in this painting expresses exactly that;)

Emerald City MetaScape
Emerald City MetaScape

oil on canvas

24" x 24"

Having returned to the San Francisco Bay Area after 2+ decades elsewhere, I know I am home amidst a dynamic place that will forever inspire me. Living in the East Bay/Berkeley side, I find solace in climbing stairways and boulders that weave the landscape while seductively unveiling glimpses of the city of San Francisco and all its surrounding enclaves. No day is the same; nor the lighting of the sky nor the tides. I have been studying those changes through my keen artist eye lens and transferring the essence through color alchemy, form rendering, and narrative throughout many surfaces. This particular piece was painted along with several other Bay Area "themed" works and has a voice of its own. The color palette is muted, tho there are hints of light greens and blues. I call San Francisco "Emerald City" for many reasons, but the colors speak for themselves and are represented in my paintings. I'm inspired by the quick shifting of tides and the general tone and moods of the communities here in the Bay Area. There is always movement; ships, the BART, the train, the traffic, the hustle & bustle of humans in a rat race just trying to keep their heads above water and survive here; the most beautiful yet expensive place to be in California; as well the world.

AbstractScape; Quindachrome, Turquoise, & Neon Yellow
AbstractScape; Quindachrome, Turquoise, & Neon Yellow

oil on canvas ( in progress )

30” x 30”

2024

SOLD

Upon a teal tide
Upon a teal tide

oil on canvas

16” x 20”

2024

Inspired by the ever changing San Francisco Bay Area; urban tides that ebb & flow.  This artwork is my minimal approach to gestural abstract painting and interpreting my sensation of the Bay in timelessness.  The cityscape is a distant geometric puzzle between moody skies and seductive waters.  There's a stillness and gentle motion.  A palette knife gently stroked essence of energy glowing in quindachrome magenta/pink bursts in the foreground; leaving a gentle glow in our eyes.

AbstractScape: Emerald City
AbstractScape: Emerald City

oil on canvas

9” x 12”

May 2023

Inspired by the intriguing Bay Area landscapes and dynamic city of San Francisco, "Emerald City" evokes wonder, excitement, and vibrant energy. Verdant accents blend with vivid bursts that reflect the setting sun's brilliant hues and exotic rhythm.

AbstractScape; Teal, Chartreuse, Rouge
AbstractScape; Teal, Chartreuse, Rouge

oil on canvas

black wooden floater frame

12” x 16”

2024

AbstractScape Greens, Blues, Yellow & Violet Puffs
AbstractScape Greens, Blues, Yellow & Violet Puffs

oil on canvas

24" x 30"

2024

SerenityScape
SerenityScape

oil on canvas

24" x 30"

2024

AbstractScape; Le Merais
AbstractScape; Le Merais

oil on canvas

16” x 20”

2024

Verve: 2nd half of the journey
Verve: 2nd half of the journey

Oil on canvas

20” x 24”

Framed: White wood floater frame

May 2018

Abstractscape touch of teal
Abstractscape touch of teal

oil on canvas

20” x 24”

2022

Journey to the...1
Journey to the...1

oil on canvas

24” x 24”

2023

Journey to the...2
Journey to the...2

oil on canvas

24” x 24”

2023

Gravity pulls; Tides' Ebb & Flow
Gravity pulls; Tides' Ebb & Flow

Oil on canvas, 59” x 79”

August 2021

Inspired by the shifting of tide pools and gravitational pull of the moon and sun, resulting in the ebb and flow of ocean waters. The natural rhythm has been going long before anything else arrived.

 Mini Rothko'ish AbstractScapes: Blues & French Rouge
Mini Rothko'ish AbstractScapes: Blues & French Rouge

Oil on canvas

12” x 15” x 1.5” each

Black floater frame

2023

The Surge
The Surge

Oil on canvas

36” x 48”

2022

This painting was inspired by visiting Pismo Beach and its caves that are only exposed at low tide. I visited this location the day after the recent Tonga Tsunami, and there were frequent surges of the tide coming in and swiftly moving back out. During this time the caves were exposed and not covered with the ocean; allowing exploration in side. The phosphorescence of the colors inside was mind-blowing and inspired the palette of this painting in conjunction with Spring arriving.

AbstractScape Above Bridges
AbstractScape Above Bridges

Oil on canvas panel

Black floater frame

March 2023

Inspired by the movement and sensations felt while crossing the Bay over all bridges.

In through the out zone
In through the out zone

oil on canvas

36” x 36”

August 2020

AbstractScape Superbloom
AbstractScape Superbloom

Oil on canvas with black floater frame

18” x 22” x 1.5”

April 2023

The artist continues to explore abstractscapes in a multitude of colors; inspired by the California Springtime and "Superblooms" that occur throughout the landscape of this beautiful state after such an astounding amount of rainfall this last season. The artist is an alchemist of color and expressively fuses the vibrancy of many colors to ignite an emotional response to the artwork.

SOLD

Heatwave Blues
Heatwave Blues

oil on canvas

2019

48” x 60”

Abstract Expressionism

Every five years California has been facing excessive heat waves; each time record breaking. What was once decades occurs in half that time if not more. This artwork was painted during an excessive heat wave, and for the first time I experienced creating in the cool air conditioning of my 18' high cathedral ceiling art studio at the top of the Golden Quadrangle in Montecito, CA. The juxtaposition of interior and exterior contrasts while painting Heatwave Blues dramatically shifted between the acceleration of an intensely wild frenzy to the calming embrace, refreshing stillness, and ethereal calm enveloped by cooling air. This oil painting palette consists of several blues to achieve the color alchemy. It has exhibited in Berkeley at Baker & Commons on College Ave.

Khi ~ nē ~ Huichin : Fire~Sky~Bay ( San Francisco ) Abstractscape
Khi ~ nē ~ Huichin : Fire~Sky~Bay ( San Francisco ) Abstractscape

oil on canvas

60" x 72"

2024

Inspired by the ever-changing skies, waters, and landscapes of the San Francisco Bay Area. The title derives from the language of the Ohlone tribes of the SF Bay Area's greater regions. Fire Sky Bay conveys the shifting of tides, skies, and lands with its dynamic movements, adaptations, emotions, and destinations. There are symbolic and psychological innuendos throughout the composition; while the allure of the city gracefully reveals itself behind the theatrical showdown of all the elements. Certain characters of the Ohlone dialect do not exist on a keyboard, however the sounds of the words naturally roll off the tongue;)

Persimmon Springs
Persimmon Springs

Oil on canvas

36” x 48”

2023

The Bezerks
The Bezerks

oil on canvas

24” x 36”

2024

In this nocturnal tapestry, the world feels both alive and introspective; where shadows mingle with light, voices carry gentle murmurs, and characters passing through add to the vibrant portrait of urban life after dark; a reminder that in the stillness of night, connections are made, stories unfold, and we are enchanted.

Burnt Orange Nocturne No.1
Burnt Orange Nocturne No.1

oil on canvas

48” x 48”

2022

Inspired by the serenity of the Autumn palette and shifting of seasons surrounded by the California landscape. Approached with a mindfulness in minimalism and a release of expressionism through abstraction. The palette of oranges was created through color alchemy of several pigments. Feelings from viewers have ranged from states of pure relaxation and surrender to curiosity and exploration of the unknown. This painting will bring warmth to any room and shifts throughout the lighting of the day to evening.

Meet me @ Dolores Park!
Meet me @ Dolores Park!

oil on canvas

24” x 36” x 1.5”

2023

Inspired by the essence of gathering at Dolores Park

Armageddon
Armageddon

oil on canvas

36" x 48"

2016

painted the day after the 2016 election results

SOLD

Abstract Nocturne No.7
Abstract Nocturne No.7

Oil on canvas

36” x 60”

November 2018

When the world seems to pause; caught in the delicate balance between light and darkness, we are embraced and invited to sense a time of transition and reflection.

Head Like a Hole
Head Like a Hole

oil on canvas

24” x 24”

2022

Inspired by an epic NIN concert at the Greek in Berkeley and falling deeply in head and love with Trent Reznor.

Fray
Fray

Oil on wood panel

24" x 24"

March 2017

Sitting in your nowhere land
Sitting in your nowhere land

oil on canvas

36” x 48”

2022

Seared State
Seared State

oil on canvas

39” x 47”

2022

This painting has gone through multiple stages but was originally created just before the tragic Thomas Fire in Southern California. Since then, the palette has shifted dramatically from the ashy/muddy monotones to fiery bursts complemented by smooth soCal skies. Our beautiful state of California continues to burn year round, and it has deeply influenced my work in juxtaposition with reality.

3 Years a...
3 Years a...

Oil on canvas

24” x 30”

2022

This painting has been created over the span of 3 years. It contains a multitude of oil paint layers; inclusive of “leftovers”; a dried composition of my oil paint scraps placed centrally in the picture plane. Paint has also been distributed through methods of spraying, pouring, palette knife spreading, and natural blending.

Blue hues & a splash of Violet
Blue hues & a splash of Violet

30" x 40"

Oil on canvas

December 2016

Blue Lair
Blue Lair

Oil on canvas

36" x 48"

March 2017

Inspired by the final moments of blue hues left by the dusk

Bayou
Bayou

Oil paint on canvas with black floater frame

16” x 20”

2018

Memories of Mexico
Memories of Mexico

Oil on canvas

36” x 48” each

Polyptych: 4 panels

2020

The Heart's Gambit
The Heart's Gambit

oil on canvas

30” x 40”

2021

Inspired by the luscious channel island views at the top of Montrose Ave in Santa Barbara’s Mission Canyon district with a twist of inspiration of the original series “The Queen’s Gambit”

Last Dance with Park Lane
Last Dance with Park Lane

oil on canvas

30” x 40”

2021

This painting portrays the last memory I have of the light reflecting on my Park Lane property and artist studio. It dances, and the eyes can catch a glimpse of this while being enveloped in the warmth of a Southern California palette. Finding that palette became the crême de le crême while defying the obvious blue sky color and exploring violets and periwinkles in juxtaposition with electric orange and strokes of King's and Cobalt Blues. I would watch the lights and shadows gracefully move over the modern architecture. In between there would be momentary bursts of color; coming and going. When I paint abstractscapes, I purposefully expose areas of the canvas in their most raw form and build from there. This painting was a geometric study of a modern dwelling in Montecito and the abstraction of light upon form.

The Sweet Caress
The Sweet Caress

oil on canvas

36” x 48”

2018

Incidental Christening
Incidental Christening

48” x 60”

oil and spray paint on canvas

2020 ( in progress )

The Leftovers
The Leftovers

13” x 17” ( black frame )

oil on wood

2022

Self Destruction Part 2
Self Destruction Part 2

oil on canvas

36” x 48”

August 2020

Self Destruction Part 1
Self Destruction Part 1

oil on canvas

30” x 48”

August 2020

Blazed, Glazed, & Dissolved
Blazed, Glazed, & Dissolved

Oil on wood panel

20” x 30”

2019

Blue Beams & Column
Blue Beams & Column

oil on canvas

30” x 30”

2018

Inspired by the modern architecture of my artist studio in Montecito. This is a minimal approach to form, color, and dynamic energy within a composition. Modern architecture is somewhat portrayed as a Pop icon here with it’s luminous blue hues ensemble and vibrant presence on a black background.

Pink Portals
Pink Portals

oil on canvas

30” x 30”

2018

Convergence
Convergence

Oil on canvas

24” ( w ) x 30” x (h ) x 1/3” ( d )

2021

Irreversible
Irreversible

Oil on wood panel

18” ( w ) x 24” (h ) x 1” ( d)

2021

Shades of Summer
Shades of Summer

Oil on canvas

Diptych 40" x 60" each

June 2017

Under a Montserrat Sky
Under a Montserrat Sky

Oil on wood panel

18" x 24"

June-October 2017

Palette Knife Nocturnal Landscape
Palette Knife Nocturnal Landscape

oil on canvas

24” x 24”

2018

"Just Black" Inner Landscape #3
"Just Black" Inner Landscape #3

Oil on primed un-stretched canvas

48" x 144"

November 2017

Just before the Thomas wild fire and catastrophic Montecito Mudslides, I had simplified my palette down to the minimalist choice of Black.  It was an absolute and radical expressionistic choice that felt liberating to explore.  This work was influenced by my daily Hwy 101 journey to and from my home/studio in Montecito, CA.  I unrolled raw canvas upon the cement floor of the artist studio and danced around with brush and oil paint.  It was hung on the wall after and worked again in the gestural and wet alla prima technique.  It remained there throughout both evacuations and disasters; accumulating a symbolic narrative of the natural landscape's metamorphosis.

"Just Black" Inner Landscape #2
"Just Black" Inner Landscape #2

Oil on canvas

48" x 48"

November 2017

Influenced by the "Upside Down" concept introduced on NetFlix's Stranger Things

"The Chasm"  Just Black Composition #1/Inner Landscape
"The Chasm" Just Black Composition #1/Inner Landscape

In early 2017, I instinctively switched to a palette of just black and continued exploring “reductive” painting. Paint was layered through spraying, pouring, and observing the natural dripping and blending. Oil paint was then removed through swift movements of rags upon the surface. This method of painting exposed the gradients and opacity of black as a single tone. The white is the remaining exposed and vulnerable canvas. Black paint was then applied in single strokes with large palette knives. This series of paintings in black derived from a premonition of something major about to shift in the landscape around. Exactly one month later, the Thomas Fire broke out and eventually displaced my family from our home and this art studio. Following that catastrophe came the biblical Mudslides; leaving Montecito’s landscape and community seeming very much like these abstract compositions.

Just Black.  Composition #4
Just Black. Composition #4

Oil on primed un-stretched canvas

5' x 7'

December 2017

Just before the Thomas wild fire and catastrophic Montecito Mudslides, I had simplified my palette down to the minimalist choice of Black.  It was an absolute and radical expressionistic choice that felt liberating to explore.  This work was influenced by the Montecito, CA landscape.  I unrolled raw canvas upon the cement floor of the artist studio and danced around with brush and oil paint.  It was hung on the wall after and worked again in the gestural and wet alla prima technique.  It remained there throughout both evacuations and disasters; accumulating a symbolic narrative of the natural landscape's metamorphosis.

Black & White Abstract Diptych
Black & White Abstract Diptych

Oil on canvas

36” x 48” ( each panel )

January 2019

The Great Weight
The Great Weight

Oil on canvas

20" x 30"

May 2017

"Abstract 8" Group Exhibit SBTC, Santa Barbara, CA 2018

Mini Mathieu
Mini Mathieu

Oil on canvas

30" x 30"

April 2018

Hold on
Hold on

Oil on Canvas

36" x 36"

January 2018

Underwater Crimson
Underwater Crimson

Oil on canvas

40" x 60"

In progress

Streaming Chartreuse & Quindachrome: AbstractScape
Submergence
Neon & Quindachrome AbstractScape
Schmeres over Montserrat
Transdimensional AbstractScape
Ebbs & Flows
The Grind
Torrents Abstractscape
Ether Rouge Ascent: AbstractScape
King's Blue unveiling Umbers
Dark Umber & Prussian converge
Cad Yellow stroked Crimson Noir
AbstractScape: Neon, Cobalt Turquoise Teal, & Prussian
Lilac, Mint, & Chartreuse AbstractScape
Emerald City MetaScape
AbstractScape; Quindachrome, Turquoise, & Neon Yellow
Upon a teal tide
AbstractScape: Emerald City
AbstractScape; Teal, Chartreuse, Rouge
AbstractScape Greens, Blues, Yellow & Violet Puffs
SerenityScape
AbstractScape; Le Merais
Verve: 2nd half of the journey
Abstractscape touch of teal
Journey to the...1
Journey to the...2
Gravity pulls; Tides' Ebb & Flow
 Mini Rothko'ish AbstractScapes: Blues & French Rouge
The Surge
AbstractScape Above Bridges
In through the out zone
AbstractScape Superbloom
Heatwave Blues
Khi ~ nē ~ Huichin : Fire~Sky~Bay ( San Francisco ) Abstractscape
Persimmon Springs
The Bezerks
Burnt Orange Nocturne No.1
Meet me @ Dolores Park!
Armageddon
Abstract Nocturne No.7
Head Like a Hole
Fray
Sitting in your nowhere land
Seared State
3 Years a...
Blue hues & a splash of Violet
Blue Lair
Bayou
Memories of Mexico
The Heart's Gambit
Last Dance with Park Lane
The Sweet Caress
Incidental Christening
The Leftovers
Self Destruction Part 2
Self Destruction Part 1
Blazed, Glazed, & Dissolved
Blue Beams & Column
Pink Portals
Convergence
Irreversible
Shades of Summer
Under a Montserrat Sky
Palette Knife Nocturnal Landscape
"Just Black" Inner Landscape #3
"Just Black" Inner Landscape #2
"The Chasm"  Just Black Composition #1/Inner Landscape
Just Black.  Composition #4
Black & White Abstract Diptych
The Great Weight
Mini Mathieu
Hold on
Underwater Crimson
Streaming Chartreuse & Quindachrome: AbstractScape

oil on canvas

18” x 18”

2025

Submergence

oil on canvas

24” x 24”

2025

Neon & Quindachrome AbstractScape

oil & acrylic on canvas

16” x 20”

2025

Schmeres over Montserrat

oil a& acrylic on canvas

11” x 14”

2025

Transdimensional AbstractScape

oil & acrylic on canvas

11” x 14”

2025

Ebbs & Flows

Quindachrome Magenta, Teals & Turquoise, Cadmium Yellow

oil on canvas

24” x 30”

February 2025

The Grind

oil on canvas

30” x 40”

2025

This painting was a much needed art therapy session following the 2024 election. In times of turmoil, creativity and solace are essential. This work took several sessions of layering colors, blending, and wiping away paint with rags in a sort of dance movement; hence action painting. It portrays the fleshy safety net of our origin of life; the womb and Mother Earth. Through the blending of lighting, color concoction, and gestural brushstrokes, this composition conveys the daily Grind across the Universe.

Torrents Abstractscape

oil on canvas

24” x 24”

2025

Ether Rouge Ascent: AbstractScape

oil on canvas

18” x 18”

2025

King's Blue unveiling Umbers

acrylic on canvas

12” x 16’

2025

Dark Umber & Prussian converge

oil on canvas

20” x 24”

2024

Cad Yellow stroked Crimson Noir

oil on canvas

12” x 16”

2024

AbstractScape: Neon, Cobalt Turquoise Teal, & Prussian

oil on canvas

8” x 10”

2024

Lilac, Mint, & Chartreuse AbstractScape

oil on canvas

24” x 24”

April 2024

Returning back to the one place I ever called home after twenty + years, The Bay Area, I dove full body/mind/& soul into the harmonious balance between a majestic landscape and alluring city. It was a long journey getting back here with my two young children, and the gratitude I have for this place is endless. I know the challenges of "staying" in a place like the San Francisco Bay Area, and we are faced with the daily challenges and hard work ethic to do so. This painting is a mixture of those emotions; the serenity from the surrounding enticing vibrant energy of "Emerald City" and its exotic landscapes combined with the cyclical patterns of life's vicissitudes. This painting was birthed out of my need to adapt to the Spring palette. Coming out of winter hibernation to the ambrosia of Spring available to all our senses is exhilarating. The color alchemy in this painting expresses exactly that;)

Emerald City MetaScape

oil on canvas

24" x 24"

Having returned to the San Francisco Bay Area after 2+ decades elsewhere, I know I am home amidst a dynamic place that will forever inspire me. Living in the East Bay/Berkeley side, I find solace in climbing stairways and boulders that weave the landscape while seductively unveiling glimpses of the city of San Francisco and all its surrounding enclaves. No day is the same; nor the lighting of the sky nor the tides. I have been studying those changes through my keen artist eye lens and transferring the essence through color alchemy, form rendering, and narrative throughout many surfaces. This particular piece was painted along with several other Bay Area "themed" works and has a voice of its own. The color palette is muted, tho there are hints of light greens and blues. I call San Francisco "Emerald City" for many reasons, but the colors speak for themselves and are represented in my paintings. I'm inspired by the quick shifting of tides and the general tone and moods of the communities here in the Bay Area. There is always movement; ships, the BART, the train, the traffic, the hustle & bustle of humans in a rat race just trying to keep their heads above water and survive here; the most beautiful yet expensive place to be in California; as well the world.

AbstractScape; Quindachrome, Turquoise, & Neon Yellow

oil on canvas ( in progress )

30” x 30”

2024

SOLD

Upon a teal tide

oil on canvas

16” x 20”

2024

Inspired by the ever changing San Francisco Bay Area; urban tides that ebb & flow.  This artwork is my minimal approach to gestural abstract painting and interpreting my sensation of the Bay in timelessness.  The cityscape is a distant geometric puzzle between moody skies and seductive waters.  There's a stillness and gentle motion.  A palette knife gently stroked essence of energy glowing in quindachrome magenta/pink bursts in the foreground; leaving a gentle glow in our eyes.

AbstractScape: Emerald City

oil on canvas

9” x 12”

May 2023

Inspired by the intriguing Bay Area landscapes and dynamic city of San Francisco, "Emerald City" evokes wonder, excitement, and vibrant energy. Verdant accents blend with vivid bursts that reflect the setting sun's brilliant hues and exotic rhythm.

AbstractScape; Teal, Chartreuse, Rouge

oil on canvas

black wooden floater frame

12” x 16”

2024

AbstractScape Greens, Blues, Yellow & Violet Puffs

oil on canvas

24" x 30"

2024

SerenityScape

oil on canvas

24" x 30"

2024

AbstractScape; Le Merais

oil on canvas

16” x 20”

2024

Verve: 2nd half of the journey

Oil on canvas

20” x 24”

Framed: White wood floater frame

May 2018

Abstractscape touch of teal

oil on canvas

20” x 24”

2022

Journey to the...1

oil on canvas

24” x 24”

2023

Journey to the...2

oil on canvas

24” x 24”

2023

Gravity pulls; Tides' Ebb & Flow

Oil on canvas, 59” x 79”

August 2021

Inspired by the shifting of tide pools and gravitational pull of the moon and sun, resulting in the ebb and flow of ocean waters. The natural rhythm has been going long before anything else arrived.

Mini Rothko'ish AbstractScapes: Blues & French Rouge

Oil on canvas

12” x 15” x 1.5” each

Black floater frame

2023

The Surge

Oil on canvas

36” x 48”

2022

This painting was inspired by visiting Pismo Beach and its caves that are only exposed at low tide. I visited this location the day after the recent Tonga Tsunami, and there were frequent surges of the tide coming in and swiftly moving back out. During this time the caves were exposed and not covered with the ocean; allowing exploration in side. The phosphorescence of the colors inside was mind-blowing and inspired the palette of this painting in conjunction with Spring arriving.

AbstractScape Above Bridges

Oil on canvas panel

Black floater frame

March 2023

Inspired by the movement and sensations felt while crossing the Bay over all bridges.

In through the out zone

oil on canvas

36” x 36”

August 2020

AbstractScape Superbloom

Oil on canvas with black floater frame

18” x 22” x 1.5”

April 2023

The artist continues to explore abstractscapes in a multitude of colors; inspired by the California Springtime and "Superblooms" that occur throughout the landscape of this beautiful state after such an astounding amount of rainfall this last season. The artist is an alchemist of color and expressively fuses the vibrancy of many colors to ignite an emotional response to the artwork.

SOLD

Heatwave Blues

oil on canvas

2019

48” x 60”

Abstract Expressionism

Every five years California has been facing excessive heat waves; each time record breaking. What was once decades occurs in half that time if not more. This artwork was painted during an excessive heat wave, and for the first time I experienced creating in the cool air conditioning of my 18' high cathedral ceiling art studio at the top of the Golden Quadrangle in Montecito, CA. The juxtaposition of interior and exterior contrasts while painting Heatwave Blues dramatically shifted between the acceleration of an intensely wild frenzy to the calming embrace, refreshing stillness, and ethereal calm enveloped by cooling air. This oil painting palette consists of several blues to achieve the color alchemy. It has exhibited in Berkeley at Baker & Commons on College Ave.

Khi ~ nē ~ Huichin : Fire~Sky~Bay ( San Francisco ) Abstractscape

oil on canvas

60" x 72"

2024

Inspired by the ever-changing skies, waters, and landscapes of the San Francisco Bay Area. The title derives from the language of the Ohlone tribes of the SF Bay Area's greater regions. Fire Sky Bay conveys the shifting of tides, skies, and lands with its dynamic movements, adaptations, emotions, and destinations. There are symbolic and psychological innuendos throughout the composition; while the allure of the city gracefully reveals itself behind the theatrical showdown of all the elements. Certain characters of the Ohlone dialect do not exist on a keyboard, however the sounds of the words naturally roll off the tongue;)

Persimmon Springs

Oil on canvas

36” x 48”

2023

The Bezerks

oil on canvas

24” x 36”

2024

In this nocturnal tapestry, the world feels both alive and introspective; where shadows mingle with light, voices carry gentle murmurs, and characters passing through add to the vibrant portrait of urban life after dark; a reminder that in the stillness of night, connections are made, stories unfold, and we are enchanted.

Burnt Orange Nocturne No.1

oil on canvas

48” x 48”

2022

Inspired by the serenity of the Autumn palette and shifting of seasons surrounded by the California landscape. Approached with a mindfulness in minimalism and a release of expressionism through abstraction. The palette of oranges was created through color alchemy of several pigments. Feelings from viewers have ranged from states of pure relaxation and surrender to curiosity and exploration of the unknown. This painting will bring warmth to any room and shifts throughout the lighting of the day to evening.

Meet me @ Dolores Park!

oil on canvas

24” x 36” x 1.5”

2023

Inspired by the essence of gathering at Dolores Park

Armageddon

oil on canvas

36" x 48"

2016

painted the day after the 2016 election results

SOLD

Abstract Nocturne No.7

Oil on canvas

36” x 60”

November 2018

When the world seems to pause; caught in the delicate balance between light and darkness, we are embraced and invited to sense a time of transition and reflection.

Head Like a Hole

oil on canvas

24” x 24”

2022

Inspired by an epic NIN concert at the Greek in Berkeley and falling deeply in head and love with Trent Reznor.

Fray

Oil on wood panel

24" x 24"

March 2017

Sitting in your nowhere land

oil on canvas

36” x 48”

2022

Seared State

oil on canvas

39” x 47”

2022

This painting has gone through multiple stages but was originally created just before the tragic Thomas Fire in Southern California. Since then, the palette has shifted dramatically from the ashy/muddy monotones to fiery bursts complemented by smooth soCal skies. Our beautiful state of California continues to burn year round, and it has deeply influenced my work in juxtaposition with reality.

3 Years a...

Oil on canvas

24” x 30”

2022

This painting has been created over the span of 3 years. It contains a multitude of oil paint layers; inclusive of “leftovers”; a dried composition of my oil paint scraps placed centrally in the picture plane. Paint has also been distributed through methods of spraying, pouring, palette knife spreading, and natural blending.

Blue hues & a splash of Violet

30" x 40"

Oil on canvas

December 2016

Blue Lair

Oil on canvas

36" x 48"

March 2017

Inspired by the final moments of blue hues left by the dusk

Bayou

Oil paint on canvas with black floater frame

16” x 20”

2018

Memories of Mexico

Oil on canvas

36” x 48” each

Polyptych: 4 panels

2020

The Heart's Gambit

oil on canvas

30” x 40”

2021

Inspired by the luscious channel island views at the top of Montrose Ave in Santa Barbara’s Mission Canyon district with a twist of inspiration of the original series “The Queen’s Gambit”

Last Dance with Park Lane

oil on canvas

30” x 40”

2021

This painting portrays the last memory I have of the light reflecting on my Park Lane property and artist studio. It dances, and the eyes can catch a glimpse of this while being enveloped in the warmth of a Southern California palette. Finding that palette became the crême de le crême while defying the obvious blue sky color and exploring violets and periwinkles in juxtaposition with electric orange and strokes of King's and Cobalt Blues. I would watch the lights and shadows gracefully move over the modern architecture. In between there would be momentary bursts of color; coming and going. When I paint abstractscapes, I purposefully expose areas of the canvas in their most raw form and build from there. This painting was a geometric study of a modern dwelling in Montecito and the abstraction of light upon form.

The Sweet Caress

oil on canvas

36” x 48”

2018

Incidental Christening

48” x 60”

oil and spray paint on canvas

2020 ( in progress )

The Leftovers

13” x 17” ( black frame )

oil on wood

2022

Self Destruction Part 2

oil on canvas

36” x 48”

August 2020

Self Destruction Part 1

oil on canvas

30” x 48”

August 2020

Blazed, Glazed, & Dissolved

Oil on wood panel

20” x 30”

2019

Blue Beams & Column

oil on canvas

30” x 30”

2018

Inspired by the modern architecture of my artist studio in Montecito. This is a minimal approach to form, color, and dynamic energy within a composition. Modern architecture is somewhat portrayed as a Pop icon here with it’s luminous blue hues ensemble and vibrant presence on a black background.

Pink Portals

oil on canvas

30” x 30”

2018

Convergence

Oil on canvas

24” ( w ) x 30” x (h ) x 1/3” ( d )

2021

Irreversible

Oil on wood panel

18” ( w ) x 24” (h ) x 1” ( d)

2021

Shades of Summer

Oil on canvas

Diptych 40" x 60" each

June 2017

Under a Montserrat Sky

Oil on wood panel

18" x 24"

June-October 2017

Palette Knife Nocturnal Landscape

oil on canvas

24” x 24”

2018

"Just Black" Inner Landscape #3

Oil on primed un-stretched canvas

48" x 144"

November 2017

Just before the Thomas wild fire and catastrophic Montecito Mudslides, I had simplified my palette down to the minimalist choice of Black.  It was an absolute and radical expressionistic choice that felt liberating to explore.  This work was influenced by my daily Hwy 101 journey to and from my home/studio in Montecito, CA.  I unrolled raw canvas upon the cement floor of the artist studio and danced around with brush and oil paint.  It was hung on the wall after and worked again in the gestural and wet alla prima technique.  It remained there throughout both evacuations and disasters; accumulating a symbolic narrative of the natural landscape's metamorphosis.

"Just Black" Inner Landscape #2

Oil on canvas

48" x 48"

November 2017

Influenced by the "Upside Down" concept introduced on NetFlix's Stranger Things

"The Chasm" Just Black Composition #1/Inner Landscape

In early 2017, I instinctively switched to a palette of just black and continued exploring “reductive” painting. Paint was layered through spraying, pouring, and observing the natural dripping and blending. Oil paint was then removed through swift movements of rags upon the surface. This method of painting exposed the gradients and opacity of black as a single tone. The white is the remaining exposed and vulnerable canvas. Black paint was then applied in single strokes with large palette knives. This series of paintings in black derived from a premonition of something major about to shift in the landscape around. Exactly one month later, the Thomas Fire broke out and eventually displaced my family from our home and this art studio. Following that catastrophe came the biblical Mudslides; leaving Montecito’s landscape and community seeming very much like these abstract compositions.

Just Black. Composition #4

Oil on primed un-stretched canvas

5' x 7'

December 2017

Just before the Thomas wild fire and catastrophic Montecito Mudslides, I had simplified my palette down to the minimalist choice of Black.  It was an absolute and radical expressionistic choice that felt liberating to explore.  This work was influenced by the Montecito, CA landscape.  I unrolled raw canvas upon the cement floor of the artist studio and danced around with brush and oil paint.  It was hung on the wall after and worked again in the gestural and wet alla prima technique.  It remained there throughout both evacuations and disasters; accumulating a symbolic narrative of the natural landscape's metamorphosis.

Black & White Abstract Diptych

Oil on canvas

36” x 48” ( each panel )

January 2019

The Great Weight

Oil on canvas

20" x 30"

May 2017

"Abstract 8" Group Exhibit SBTC, Santa Barbara, CA 2018

Mini Mathieu

Oil on canvas

30" x 30"

April 2018

Hold on

Oil on Canvas

36" x 36"

January 2018

Underwater Crimson

Oil on canvas

40" x 60"

In progress

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